Wednesday, November 18, 2009

Long Lost (Myron Bolitar) by Harlan Coben


I knew I loved Myron Bolitar but this novel reminded me exactly how much. Leaving the old PI-like setting behind for a more action thriller kind of plot the wisecracking agent and his wealthy psychotic sidekick Win give Jason Bourne a run for his money.
Traveling to Paris to track down the ex-husband of a former lover of his he gets involved with the French police and some very dangerous terrorists. Heaping plot twist upon plot twist and action scene upon action scene it all gets a bit too unbelievable at times but Myron is such an endearing protagonist the manages to keep you involved with the story and your disbelief suspended.
Laughs, thrills and chills... What more could a reader want really? A great read on a holiday.
I really hope Harlan Coben will have Myron reappear very soon.

Q & A with Mark Arsenault


Q: What makes Billy Povich different from other (unofficial) PI's?
Billy Povich is an everyman. He’s not physically imposing. He doesn’t carry a gun. He’s much better at taking a punch than delivering one. He can’t meet a supermodel in Chapter 3 and get her in bed by Chapter 4. The idea of taking a human life—while he has considered it—is daunting to him. In other words, he’s not a cartoon. I think it’s easier for the reader to slip into the role of the protagonist if the hero of the story feels like a real person. And I also believe that the heavily armed action hero who thinks nothing of blasting a dozen bad guys over 300 pages has become a cliché.

However, a hero must have heroic qualities, and Povich has plenty. He’s extremely tough-minded. He is dogged. He’s a risk taker. And he maintains a dark sense of humor, no matter how dangerous the circumstances. That’s why readers root for Povich. The hero’s most important job in a crime story is to get the reader on his side.

Q: How did you come up with the character of Billy Povich?
First off, I named him after my Polish grandfather, who died when I was 16.
Then I put Billy in grim circumstances—he is a newspaper obituary writer in a dying business, who lives above a funeral home and investigates murders. To balance all that darkness, I gave him the weapon of humor. Suspense and humor are opposites. When you put them together both become more intense, like colors on opposite sides of the color wheel.

Q: Lucid dreaming is a part of Gravewriter. Is it something you are interested in?
Absolutely. I’ve only been able to experience it a handful of times myself. A lucid dream can occur when you realize you are dreaming, and in that state you have some control over the dream. A lucid dream can feel as real as being awake—if you’re standing in the dream, for instance, you might notice the weight of your body on the bottom of your feet. I’ll try to condition myself for a lucid dream before I sleep by reminding myself to look at my hands. It’s just a cue. With that suggestion planted in my mind, there have been a few occasions that I’ve remembered to look at my hands during a dream, and immediately I’ve become aware.

Q: What's next for you and Billy?
I’m probably going to take a brief break from Billy Povich. I’m currently writing a stand-alone novel with different characters and less of a noir tone. Doing something different keeps me fresh. I have a vague idea for a plot for the next Povich book, and I’m hoping a little time away will allow that plot to germinate in my mind.

Q: How do you promote your books?
My promotional campaigns are a blend of old and new methods. I’ve done some traditional radio interviews and local television in Providence, Rhode Island, where the books are set. I also do conferences, such as Bouchercon and the New England Crime Bake. St. Martin’s is good about getting the books to reviewers, including reviewers who write for popular blogs. I’ve also done a blast of Web advertising, Facebook advertising, and an extensive blog tour, in which I’ve written essays for a number of excellent Internet sites. A blog tour is a tremendous amount of work, from organizing it, keeping track of the deadlines, and delivering so many original essays. But writing those essays helped organize my thoughts on the craft of writing.

Crime fiction web sites, such as this one, have become so influential in introducing readers to authors. I’m very grateful to appear here.

Q: Do you have any favourite Sons of Spade yourself?
Here’s an obscure character that I love: Sam Holt.

Holt was the creation of the great Donald E. Westlake, better known for the Dortmunder comic caper novels under his own name, and for a series of dark crime books under the pen name Richard Stark. In the mid-1980s, Westlake, by then a well-established writer, wondered if he would make it as a crime writer if he were just starting out. So he signed a deal to write under another secret pen name, Samuel Holt. The four books in the Holt series are hard-boiled with a sprinkle of humor. Sam Holt—the main character’s name as well as the pseudonym—is a former actor, too typecast to find new work. He lives a rich man’s life and keeps steady girlfriends on the East and West U.S. coasts. Then one day somebody tries to run his car off the road for no apparent reason, and a new crime-fighting hero is born.

Westlake, my favorite author, died in 2008. I deeply regret never having met him. Still, his writing continues to teach me.

Oh, I almost forgot that Westlake’s experiment writing as Samuel Holt was ruined when the publisher leaked to the bookstores that this hip, new crime fiction author was really one of the masters in disguise.


Q: In the last century we've seen new waves of PI writers, first influenced by Hammett, then Chandler, MacDonald, Parker, later Lehane. Who do you think will influence the coming generation and in what way?
I consider myself part of that coming generation. I’d name James Lee Burke as an influence, for writing so damn beautifully. And Carl Hiaasen, and others like him, including Westlake, who have expanded the boundaries of the genre.

Q: Russel Atwood came up with the following question: Why do you do it?
The reasons I do this continue to change. Ten years ago, I was a newspaper reporter in an old mill town in New England. I was working on a fascinating story about a group of heroin addicts who lived under a railroad bridge, when my editor suddenly killed the story. He didn’t care to read about those people. I was furious, and decided to write the story as a work of fiction. That’s why I started. As that manuscript slowly grew, I wrote because I wanted to prove to myself that I could write a crime novel. I didn’t expect to sell it, but when I did, I wrote because I had a contract for another book. Now I write because I want to better what I’ve already done. Writing is difficult, and difficult things are satisfying.

Q: What question should we ask every PI writer we interview and what is your answer?
My question: In the fictitious world of your last book, does God exist?

My answer: Yes, and He is extremely ticked off.

Wednesday, November 11, 2009

Judgement & Wrath (Joe Hunter) by Matt Hilton


Matt Hilton seems to be determined to be the new Lee Child. His hero Joe Hunter is every bit the action hero Mr. Reacher is. In this second outing he is hired by a wealthy man to get his daughter away from a rich wifebeater.
When he observes the girl however he has to prevent her from getting killed by a sinister hitman called Dandalion.
This second novel worked better then the first, the plot seemed to flow more naturally and the action was easier to follow.
While Dandalion was a great villain he was a bit too over the top maybe, more in James Bond territory then I like.
Hunter is a great tough guy though and I'm eagerly awaiting the third one. I do hope however that the structure where a Hunter-chapter is alternated by a chapter from the villain's point of view is not present in it.
I'm afraid this idea might get a bit stale too fast.

The Dying Hour (Jason Wade) by Rick Mofina


Rookie reporter Jason Wade gets involved with the disappearance of a young woman. He endangers his job and his life.
Jason is quite an everyman-character, making it easy to relate to him. His growth as a character is almost as important as the thrilling plot.
The forensic details are great, the plot pulse-pounding and the villains scary. The only thing that dissapointed me a bit was the lack of surprise when the bad guys were revealed.

Tuesday, November 3, 2009

Gravewriter (Billy Povich) by Mark Arsenault


Reporter and gambling addict Billy Povich owes some bad guys a lot of money. After the car crash that killed his wife he lost his job and now is writing obituaries. He has a deep need for revenge, wanting to kill the man he holds responsible for his ex-wife's death.
When he is called for jury duty he gets personally involved when his reporter instincts tell him the man on trial is innocent of murdering an escaped convict.
There's a lot that makes this a terrific read. There's Billy's bond with his son and dad, the colorful lawyer he helps out, the dark themes of the book that never get really depressing...
Billy is absolutely an original character, different enough from the PI-types we've seen before but still has enough of the archtype in him to be popular with fans of the genre.