Showing posts with label Reed Farrel Coleman. Show all posts
Showing posts with label Reed Farrel Coleman. Show all posts

Saturday, October 19, 2019

Robert B. Parker's The Bitterest Pill (Jesse Stone) by Reed Farrel Coleman

Reed Farrel Coleman really managed to make Robert B. Parker's character Jesse Stone his own, infusing him with a deeper character and managing to make his story less static.
In this one Paradise police chief Jesse Stone seems to be doing pretty okay after some hard time. He's going to AA meetings and slowy manages to be better at working with his feelings.
While investigating the death of a high school cheerleader who seems to have died of a drug overdose he uncovers a clever gang of drug dealers, dealing in pills.
Reed cleverly moves the chesspieces of characters across the board of Paradise until a dramatic ending. Jesse's cast of minor characters comes to life even more than usual, Reed clearly having gotten intimate enough with them to understand what makes them tick.
There's the loss of one of Jesse's new loves and the very real threat of Demon Alcohol returning that will make the next novel no doubt just as interesting. As long as Reed is writing them, I will be reading them.

Saturday, December 1, 2018

Colorblind (Jesse Parker) by Reed Farrel Coleman / Robert B. Parker


Paradise police chief Jesse Stone is just back from rehab when an African American woman gets murdered. When more racially motivated crimes are committed he gives it his all to find out who is behind this. That task doesn't become easier though when his black female officer Alisha guns down a what appears to be unarmed man.
There's also a young man named Slayton Cole (how cool does that name sound) who fills in a role that reminded me of Spenser's bond with Paul in several novels.
Coleman manages to weave a tight mystery in with another piece of  character development of Jesse Stone quite nicely. Keeping his own writing style, but offering the kind of short chapters Robert B. Paker used Mr. Coleman shows again why he was such a good choice do continue this series.

Wednesday, November 22, 2017

Robert B. Parker's The Hangman's Sonnet (Jesse Stone) by Reed Farrel Coleman

I was convinced Reed wouldn't take the easy way out with this series and he doesn't disappoint. You see, it would have been easy to take the premise Robert B. Parker left him with and just tell the same story over and over again, never changing the character. Reed however manages to make Jesse Stone grow with each novel. I feel like Reed understands, knows, the character almost better than Parker himself did.
Struggling with alchohol and the death of his great love Jesse still manages to act as police chief, although his friends frequently need to cover his ass.
When a bulgary ends up in murder Jess investigates and becomes involved with the search for a missing master tape of a folk singer's biggest record.
For fans of Spenser (and who reading this blog isn't) there's also a cool short scene with the wisecracking PI that makes the book worth your purchase already.
There is absolutely a nice mystery within these pages that is wrapped up quite neatly. We see Jess clash with several authority figures and there's some wonderful characters walking around.  The highlight, however is how Jess moves on with his life and his struggles.

Wednesday, September 20, 2017

Down & Out: The Magazine Volume 1, Issue 1 - edited by Rick Ollerman

Lately I've been reading a LOT of books from publisher Down & Out. They have been responsible for the return of old favorite PI's like Nick Polo and have been publishing work by favorite writers like Dana King, Steve Lauden and many others. When they announced a digest magazine I was excited as hell, especially once I learned one of my favorite writers (and nicest ones as well) Reed Farrel Coleman would be contributing an original Moe Prager story. But there's more goodness besides that!
The magazine starts out with a punchy Ron Shade tale by Michael Black. Ron Shade is a personal favorite of mine who I haven't seen in action for way too long so that was a treat right away.
Then editor Rick Ollerman serves up a PI tale with a surprising POV. Terrence McCauley writes a dark espionage tale . Eric Beetner writes a prequal of sorts to one of his crime novels while Thomas Pluck does what he does best with his dark crime story featuring everyday men. And of course Jen Conley shows that she can write really believable and moving characters with her story.
An article pays tribute to great pulp writer Frederick Nebel, reprinting one of his stories as well.
Those stories alone would make this a very good magazine. Add to this mix the dark and moving Moe Prager story that deals with concentration camp survivors and you just have the best crime fiction magazine since Black Mask.

Monday, January 30, 2017

What You Break (Gus Murphy) by Reed Farrel Coleman

Anyone who was worried when the Moe Prager series came to an end can stop worrying now for sure. The first one in the new Gus Murphy series wasn't just a lucky strike.  The second one is just as good.
Former Suffolk county cop Gus is hired to investigate why the adopted daughter of a wealthy businessman, uncovering a dark past. Meanwhile, he also gets involved with the dark past of his friend Slava, having to face a dangerous Russian mercenary. Gus' relationship with his ex-wife has some important developments as well his relationship with his new girlfriend deepens.
The writing is as solid as ever. There's enough investigating going on, the characters are lively, their dark pasts interesting. There's also a fair bit of action, more than in the Prager books.
This is really shaping up to be a solid new series, a hardboiled story that has firm roots in the pulp tradition but adds a haunting dark poetic style to it.

Friday, December 30, 2016

Favorite Sons of 2016

Favorite Sons of 2016

This hasn't been my most active year as a writer or a reviewer, personal issues and work as well as my gig as rock journalist taking up a lot of my time. Still, I read some good stuff this year and here are my favorite PI reads of the year...


BEST PI NOVEL: An Empty Hell (Jackson Donne / Matt Herrick) by Dave White
BEST DEBUT: TThe Red Storm (William Fletcher) by Grant Bywaters
BEST NEW PI: Gus Murphy (in Where It Hurts) by Reed Farrel Coleman
BEST ACTION SCENES: The Second Life of Nick Mason (Nick Mason) by Steve Hamilton

Monday, December 5, 2016

Debt to Pay (Jesse Stone) by Reed Farrel Coleman

Jesse Stone is invited by his ex-wife to be at her wedding. Loyal readers of this series might understand this will be challenging for him.  When Mr. Peepers, a recurring villain and psychopathic assassin is back with revenge on his mind Jesse understands he will have to be at the wedding, if only to protect his ex-wife from Mr. Peepers. Good thing his new girlfriend is ex-FBI and willing to go with him.
Mr. Peepers is almost to Jesse what The Joker is to Batman. Very skilled but also very crazy we see him in action a lot and are treated to his dangerous mind. I usually dislike to many POV's from the villain but Mr. Coleman made it work for me.
As alway, Reed shows an understanding of the Jesse Stone character that makes you forget no he, but Robert B. Parker created him. His development of formerly minor character Suit is impressive as well. I guess that's where this novel shines, not in the fairly standard plot but in the understanding of the characters in it.
I was shocked by the death of a long-running Parker / Spenser character in the first few pages that had me put down the book for a few minutes. Still not sure about what I think about that, although I must praise Mr. Coleman for his guts to shake things up a bit.

Wednesday, February 17, 2016

Where It Hurts (Gus Murphy) by Reed Farrel Coleman

Gus Murphy used to be a cop. When his son dies he loses his marriage, his house and his job. Now he works as a driver for a hotel and works as a bouncer. When an ex-con contacts him, asking him to look into the death of his son reluctantly agrees. He tries to give meaning to the loss of his son through this investigation, but it leads him into a very dangerous search for valuable goods.
Reed has written some really good books, like the Moe Prager series and the latest Jesse Stone novels. This one might be his best one yet, though. The mix of character study and development with a classic hardboiled PI story is so incredibly well-balanced it's hard to put down the book.
Sometimes the words on the pages just tear into your heart, making you feel the pain of Gus Murphy so vividly it... hurts. If you have kids it will hit you even harder.
Gus is so tough, but also so very human that in my eyes he could be the standard the next few PI characters will try to follow.
An amazing new series.

Friday, December 11, 2015

Robert B. Parker’s The Devil Wins (Jesse Stone) by Reed Farrel Coleman

I'm a mystery fan. So when I read a crime novel my main interest is usually in how the plot unfolds. This time, that came second to the scenes where Jesse Stone ponders about his state in the world, his struggle with alcohol. His descriptions of a glass of whiskey made me all thirsty for one and I felt I was invited into the very most intimate life of a man I respect, understand and care for.
In this novel Jesse Stone investigates the death of two girls who went missing during their high school years. One of the cops in Jesse's team, Molly, has a connectioin to the girls and one of the other main cops in the series, Suitcase, has a chance to shine as well. The relationship to Jesse's officers is investigated in as much detail as the murder case, deepening the value of this novel and improving upon the framework created by the great Mr. Parker.
I also noticed Mr. Coleman managed to channel the specific rhytm Parker's prose seemed to have a bit more, which made me enjoy the book even more.
Perfect merging of the style of two great crime novelists.

Saturday, October 11, 2014

Blind Spot (Jesse Stone) by Reed Farrel Coleman

I am a big fan of Reed Farrel Coleman's work. I am also a big fan of Robert B. Parker's work. So I figured Parker's characters in Coleman's hands should be a match made in heaven. Turns out I was right. So, after Michael Brandman now Mr. Colleman chronicles the story of Jesse Stone.
Reed seems to "get" Jesse Stone even better than Parker himself if that's even possible. By that I mean the character really, really came to life for me. The time Reed spend researching about the character to write an essay in the non-fiction "In Pursuit Of Spenser" pays off here.
When a young woman is murdered in Paradise police chief Jesse Stone finds a connection to his old baseball team. Falling in love with a pretty undercover Special Agent, saving damsels in distress from bikers, battling against the bottle all keep him pretty busy. In the end though, Jesse solves the case... Kind of.
Aside from great work on Parker's characters Coleman introduces a few great ones of his own creation, like the thug-in-love Breen. These characters are just as fascinating as Parker's.

Tuesday, September 9, 2014

The Hollow Girl (Moe Prager) by Reed Farrel Coleman

The swansong of Moe Prager is here...
His bad luck never ends, after surviving a battle with cancer his girlfriend Pam is killed in an accident, sending Prager on a bender, crawling into the bottle to hide from his pain. Then a woman from his past shows up, asking him to track down her missing daughter, who used to be some kind of internet hype. Prager walks the streets of New York city, trying to find out where she is, encountering all sorts of people who loved and hated her. Finally, the stakes are raised when he has to race against a ticking clock, trying to save the girl where the FBI is failing.
This is a tragic book. You have to feel for Prager for who life is always so unfair. There's people who lose their soul when they try to improve their outer looks. There's guys getting paid for sex by lonely people. And there's madness of internet hypes.
In the end though, there seems to be some kind of happy end for Prager in sight. The only sad thing about that of course, is that we won't be seeing him around anymore. Luckily, by now we now we can look forward to more of Reed Coleman's hardboiled but poetic writing with a new series coming soon and the Jesse Stone series he's taking over.

Monday, December 23, 2013

Favorite Sons of 2013

Every year I tell you all what my favorite PI reads of the year were...
Well, here are my favorites again...

BEST PI NOVEL: Point Doom (JD Fiorella) by Dan Fante
BEST DEBUT: The Hard Bounce (Boo Malone) by Todd Robinson
BEST NEW PI: Mark Paris /The Professor (Subtraction) by Andrew Peters
BEST ACTION SCENES: One More Body (Moses McGuire) by Josh Stallings

Runners-up in various categories were:
Dirty Work (Gulliver Dowd) by Reed Farrel Coleman
Love Stories Are Too Violent For Me (Vic Valentine) by Will Viharo
A Small Sacrifice (Nick Forte) by Dana King

And an award should for WRITER WHO GETS BETTER EVERY YEAR should go to Steve Ulfelder for Shotgun Lullaby (Conway Sax).
And another one for WRITER WHO WORKS THE HARDEST should go to Nathan Gottlieb of the Frank Boff novels.

I also want to thank Keith Dixon and Sean Dexter for helping me bring out my own stuff.

Wednesday, October 16, 2013

Valentino Pier (Gulliver Dowd) by Reed Farrel Coleman

Great things can come in small packages, and this series is proof of that. Not only does it feature a little person as a  PI but it is also a pretty short novel. It's also a fantastic piece of PI fiction.
Gulliver Dowd, a little person and PI offers to help a street kid find his missing (and aptly-named) dog Ugly. When the kid gets beaten up Dowd is determined to find out who was behind that. Meanwhile he falls in love with the assistant of a veterinarian which results in some interesing conversations about how ''normal'' anyone really is.
Dowd is such a wonderful character. He is 100% old-fashioned PI on one hand, on the other hand the fact he's a little person gives him some unique perspective that gives the story just that bit extra to make it stand out.
This is a novel in the Rapid Reads imprint, which means it is easy to read. Short sentences, not too many difficult words. This by no means makes the story any less interesting, just a faster read. I really think a lot of writers can learn a lot about writing a fast-paced, readable book by studying Coleman's prose in this one and it was an inspiration for my own writing. So DON'T hesitate to pick this up because it's a Rapid Reads, instead DO pick it up for that reason.

Friday, September 27, 2013

COMING SOON: The Shamus Sampler

COMING SOON

An anthology full of exciting PI fiction written by popular names like Reed Farrel Coleman, Bill Crider, James Winter, Fred Zackel, J.L. Abramo, Keith Dixon and some newer names like Kit Rohrbacher, Peter DiChellis and others.
Of course there's a Noah Milano story in there as well.
It is edited by me and formatted by the talented Sean Dexter, who has a cool story in the anthology as well.
The Shamus Sampler will be available next week and will only cost you 99 cents.

Wednesday, May 15, 2013

Dirty Work (Gulliver Dowd) by Reed Farrel Coleman

I read this one in one sitting, and not just because it is a book in the Rapid Reads series, designed for fast and easy reading. I just loved the characters, the story and the writing style too much to put it down.
Main character Gulliver Dowd is a New York PI and a little person (ironic first name, right?). All good private eyes are outsiders, and Gulliver's size makes him just that. If you think he won't be able to take of himself because of the fact you're wrong, however. He shows himself to be just as tough as Spenser and tougher than Moe Prager!
Asked to track down the daughter of an old flame who seems to be his own daughter as well Gulliver clashes with a mobster that gives him the chance to strut his hardboiled stuff. It's all written in a nice crisp style which comes over a bit more pulpy than Reed's normal work.
I just loved Gulliver. Don't think his size is just a gimmick. It's integral in the way he does his work and I loved the fact his size was used to illustrate what a good manhunter he is, with his nose close to the ground.
Excellent stuff! We need more books like these. Fast-paced work, great for reluctant readers and just the stuff we need to get more PI fans! Looking forward to the second Dowd novel and hoping there will be many more!

Wednesday, April 24, 2013

Onion Street (Moe Prager) by Reed Farrel Coleman

Reed Coleman has been a praised master of PI fiction for years now and his Moe Prager series has been a fan-favorite. This novel gives us the chance to see just how Moe became the determined, principled and tough investigator we know.
It is 1967, Moe is a student in New York. His girlfriend is beaten into a coma, prompting the young man to investigate. It turns out his friend, Bobby, is also in danger and soon Moe as well.
Facing gangsters, anarchists and the challenges of becoming a man Moe has a tough time in store for himself that explains how he became a cop and a PI later.
The story is exciting enough by itself, it's simply a good mystery story, but what makes it so great is the little pieces of foreshadowing of Prager's future and in fact some of the inventions that we take for granted right now. An interesting character study as well as a piece of good historical hardboiled fiction this one's recommended. Highly.

Friday, March 22, 2013

Background Check on DIrty Work & Onion Street with Reed Farrel Coleman


The popular multiple Shamus Award winner Reed Farrel Coleman has two books coming out soon. Of course I had to ask him all about these...

Tell us what to expect from your two new books, DIRTY WORK and ONION STREET.
DIRTY WORK  is a very interesting project. It’s the first of two novellas featuring a little person (dwarf) PI named Gulliver Dowd. Gulliver is a bitter man whose cop sister has been murdered. Her murder has never been solved and Gulliver becomes a PI in order to find her killer. This hunt for his sister’s killer is the subtext to the story. The main case features a woman from Gulliver’s past who reveals a secret that can turn Gulliver’s world upside down. ONION STREET is the next to last Moe Prager Mystery and is a prequel set in 1967. It tells the story of how Moe became a policeman in the first place. It begins with his girlfriend being viciously beaten and left to die in the snow on a Brooklyn Street. Moe needs to find out why and who did it. And Moe learns for the first time that very little in life is as it seems.

 How long did it take you to write them?
As DIRTY WORK is a novella, it took me about four or five weeks. ONION STREET took me about four months to write. But in all fairness, when you get to the eighth book in a series, even if it is a prequel, the canvas is already partially painted.  

Tell us about how you were inspired to write them.
DIRTY WORK was sort of a creation between my agent, Bob Tyrrell at Raven Books—Rapid Reads, and myself. They’re a Canadian publisher whose market is the emerging or late to literacy reader. Those readers like hard-boiled and noir to. So they approached my agent who approached me about doing some books for them and I agreed. They loved Gulliver as a character and so do I. I think readers will love him too.
ONION STREET filled in a big gap in Moe Prager’s history that the fans have been curious about. It essentially tells the story of how the Moe readers know became Moe. I think readers, myself included, love to see the roots of how a character they identify with developed into that character. I have dropped hints throughout the course of the series, but I thought the time for hinting was over and to explore the origins of Moe more deeply.  

Will we see Gulliver Dowd return after DIRTY WORK?
For at least one more adventure. I’ve written a second Gulliver Dowd entitled VALENTINO PIER. I hope readers respond as I hope they will to Gulliver because I really do enjoy writing him.
ONION STREET is the penultimate Prager novel. Will you be coming out with a new PI series to follow that up or would that be Gulliver?
Gulliver is a fun character, but I’m not sure I consider him a successor to Moe. I think I’d like to do some other type of writing for a while. I am halfway through with a Sci Fi YA novel and have an idea to write a more standard literary novel. But I love the PI form and I will probably always have a toe in the private detective genre.

Did writing the books take a lot of research?
In all honesty, I have always hated research. Google has made life much easier for someone like me. I try not to weight myself down with research. For me the thrill of fiction writing is making stuff up.

What scenes did you enjoy writing the most?
Let me answer that in reverse. The scenes I hate most, the ones I know most of my friends hate most, are bridge or transition scenes. Getting the reader from here to there can be awfully burdensome. I love writing scenes where the physical setting is a reflection or a foreshadowing of the action that will take place later in the novel. For instance, read any of my scenes that take place in Coney Island and you will know I loved writing those. I also can do dialogue in my sleep.

Who is your favorite among the characters in the books?
If I had to choose one character, I would choose Israel Roth. He’s the moral compass by which Moe steers his life. But Mr. Roth is terribly flawed and scarred. I just love him.

Is there anything else you'd like to say about the books?
Buy them! I’ve got a son in college and a daughter in graduate school.

Wednesday, December 28, 2011

Hurt Machine (Moe Prager) by Reed Farrel Coleman


With this novel Reed shows us again why he’s the crime writer’s writer.
Moe Prager has been diagnosed with stomach cancer, but that doesn’t hold him back from investigating the stabbing of his ex-wife’s sister.
There’s a lot of people out in NY that hated her, because she neglected her duties as a paramedic and let a man die in a restaurant. Uncovering her secrets Moe infiltrates into the macho world of the New York fire department. And it must be said, Moe might be getting old, he might be getting sicker and sicker but he can still be a pretty tough guy.
What makes this such a great PI novel is the fact it never strays from what makes the genre great but also adds more. The mystery is very satisfying but we also can read the story as social commentary, as a more literary view of a man fighting age and disease. Excellent work.

Saturday, March 19, 2011

Innocent Monster (Moe Prager) by Reed Farrel Coleman


Reed Farrel Coleman is surely one of the most valued PI writers of the last decade. The praise by other writers and genre fans aren't in line with the overall popularity and sales of his books however. Hopefully with this novel that will change.
In this sixth Moe Prager novel the hero is asked by his daughter to find Sashi Bluntstone, the missing daughter of her childhood friend and a very young but popular painter. There's a lot of people who hate her work, and even more who want to profit from it. That means there's lots of detecting to do for Prager while he tries to get a better sense of his relationship with his daughter and his single status.
What makes this such a wonderful book is that there's enough character-pieces in it to make it multi-layered and interesting but never forgets it's also a mystery. There's a good deal of surprises in the end!
If you like Lawrence Block's Matt Scudder you'll be sure to enjoy this top notch mystery novel.